Elizabeth Cree is a cyclical narrative about one woman’s spiral into violence as a form of control, while confronting the audience's own biases and voyeuristic tendencies. My design aimed to convey the singers trapped in a hell-loop with distinctly “scenic” scenery, based on Victorian music hall performances bandaged with various modern elements as things needed to be replaced. I built a cyclical series of changes to allow the audience to follow the various plotlines, while also giving hints about Elizabeth’s unreliability and giving the feeling of a descent into madness until the final scene, in which we dropped a trap grate and hung a performer.